1·For a single instrument, say something like a piano recital, a room with a short reverberation time is better.
对于单一的乐器，比如钢琴独奏会，一个回声时间短的房间更好。
2·Therefore need to select one of the best reverberation time.
因此需要选择一个最佳混响时间。
3·The reverberation time is the most basic comment of the tone chamber.
混响时间是评价声室的基本参量。
4·The expected reverberation time is called the effective reverberation time.
对应得到的混响时间称为有效混响时间。
5·The reverberation time was probably slightly less than 1.6 seconds when fully occupied.
满员时混响时间很可能略小于1.6秒。
6·The formula of reverberation time by W. C. Sabine is a foundation of architectural acoustics.
赛宾的“混响时间”公式，奠定了建筑声学的基础。
7·Sound absorption materials is always used in controlling reverberation time in the acoustical design of studios.
对演播厅混响时间的控制，在声学设计上往往通过安装吸声材料来实现。
8·Different models of objective parameters, such as reverberation time, definition, clarity index and centre time are given.
导了混响时间、清晰度、明晰度和中心时间等音质参数的计算模型。
9·The original method to confirm reverberation time in designs is to use computational formula W . C. Sabin put forward in early century.
最初在设计中确定混响时间的方法是利用W·C·赛宾在本世纪初提出的计算公式。
10·To achieve optimum acoustic condition for various functions, adjustable reverberation time device controlled by computer is installed in the hall.
为使各项功能均具有最佳的声学条件，设置了用计算机调控混响时间的装置。